Daniel Defoe and Robinson Crusoe :: Defoe Robinson Crusoe Essays

Daniel Defoe was an singular man. Although he never had the benefit of a university education, he spoke sextuplet languages and was able to read even more. His curriculum included having been a regimen spy, a shopkeeper, and a journalist. As the latter, he was employed by both(prenominal) major parties. Of course, serving two lord is impossible, so after he got into trouble with both of these parties, he turned to writing as another(prenominal) means of living. The first major difference between Defoes work and nearly other books dating from this cartridge clip is that Robinson Crusoe is really entertaining, quite exhilarating and at times even amusing to read. This is in sharp contrast to roughly contemporary novels which stuck to a Spartan diet of unreality and dullness, their entirely take in lying in the complete strangeness to anything human. Basically, most stories at the time were chronicles of wonderful, magical events, not even attempting to resemble human life at a ll. Robinson Crusoe was one of the first few books to have citations with whom a reader could in truth identify. Therefore, it was very popular and this idea of recognition of oneself in a character in a book is nowadays only discussed when it fails, implying that it now has conk a natural recipe for writing any book. Most of todays popsongs become hits cod to a hook a melodic chorus or subservient piece which basically does not need to convey any subject matter whatsoever. Its only function is to keep the listener listening. Defoe also had grasped the idea of a hook. Only his is fairly bigger, namely about 10 pages, than your average popsong-hook, which contains 4-5 words, if any... For sometimes the lyrics are degraded to a repeated monosyllabic sound. Defoe put this system into practice in Robinson Crusoe. First, he has Robinsons father lecture him on the midriff station which is apparently the best state in the world. Of course, this little section is only needed to char m his middle-class audience. By refusing his fathers ideas, Robinson already seems like an unappreciated son in the eyes of the reader. Defoe adds more Christian morals as Robinson sinks deeper into sin. He drinks his repentance away after his first encounter with a storm, he refuses to listen to the captain who tells him you ought to take this for a plain and macroscopical token that you are not to be a seafaring man.